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Dress to Impress your readers! by Elizabeth Kay

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 Every so often you come across a book where what people wearing is described in great detail. After a while it becomes annoying as you want to get on with the story, not the author’s attempt at visually fixing a character in your head with irrelevant detail. Their mannerisms, disabilities and speech patterns may be far more effective. So if you’re going to describe someone’s clothing, it must be important. My first example is from my children’s book The Divide , set in alternative world, where the different sorts of human-like mythical beings are distinguished by the colour of their clothing. Tansy had never been to Tiratattle before, and Ramson was pretending to be more familiar with it than one school visit could possibly have made him. He refused point-blank to ask directions, and denied outright that they’d been past the chalice stall three times. The shops were full of candles and incense burners, their designs quite unlike anything Tansy had ever seen in Geddon. There were cuddy

What's Your Angle--by Reb MacRath

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You may be in either camp or be a hybrid, as I am. In the course, though, of writing a novel we may all come to the same block: we know where to go  and exactly what to do there...but we can't seem to figure out how to get there smoothly and efficiently. I found myself on a roll with my WIP when the ending of the seventh chapter threw me for a loop. Consider: Chapter 7 ends with two of the three main characters--let's call them A and B--engaged in risky business in a small Arizona town. They've arranged for C to follow them days later on a different pretext, apparently looking for work. But, unknown to them, something has happened in Tucson. Chapter 8. Change of POV. Cut to character C, left behind in Tucson. Because of what's happened, he chooses to leave a day early though he can't reach A and B by phone. The challenge: getting him on the road and to his destination, while filling readers in on the Tucson tragedy. Road trip? Flashbacks? I tried a dozen different t

What I Read for Love by Dianne Pearce

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  In high school I remember that the boys seemed interested in girls, but that what seemed important to them was that there was a girl, there, for them, but not so much which particular one, or the permanence of it. The girls I knew were certainly different from that. What mattered to my female friends, and to me too, was yes, there must be a boy, but it must be a specific one, and never changing. What often happened was that girls did things they weren’t very interested in doing, like watching college football, or waited around doing nothing, just in case the guy wanted to hang out. In that time and place, and under those differing expectations, I think that the boys were generally happier than the girls. And wasn't it the same in our homes? We all had what you would reasonably describe as good fathers, but, to a man, they went off on most weekends to do their men things with other men. Sons, of a certain age, could sometimes go too, but the daughters and wives were left at home.

Margery Allingham and ... knitting? Casting on a summer’s mystery -- by Julia Jones

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The Watchtower from the Saltings  (Photo Tom Barr)  How to connect a 1940s naval watchtower on the Tollesbury marshes, a brilliant Scottish knitwear designer and my all-time favourite novelist?   The investigation led me along the single-track lanes south-east from Tollesbury, heading towards the end of the old railway line to Tollesbury Pier. I began to get goosebumps as I remembered coming here before. Once on a long walk with my dog, when I was never quite sure where we were trespassing but was determined to explore anyway.  That was when I first saw the six-sided building, stark and guarded against the weather. Then I saw it again in my imagination: ‘It’s a t-tower,’ said David. Xanthe loved the way he said it with a shiver of excitement in his voice. ‘It’s in the m-middle of a f-field and it looks right down the r-river.’ ‘And when it was wartime the Navy built it so they could keep a lookout against invaders,’ added Kieran. ‘Then p-zow they’d press a button and the whole

Controversial Writing in Scotland by Neil McGowan

I’ve been following the news this month with interest. As a writer in Scotland, I’ve been watching the introduction of the new Hate Crime bill and the (predictable) results. If you’ve not seen the detail, basically, if you say or write something that someone perceives to be hateful, then they can report it (and you), with the maximum penalty being 7 years imprisonment. As you can imagine, writers across Scotland have been viewing this with some consternation. I myself write quite dark, gritty psychological crime, and as such, I’ve written characters that run the gamut of the seedier side of life – violent, racist misogynists tend to feature quite a lot in crime fiction. In fact, I’d argue that part of the purpose of crime fiction is to explore the more unsavoury elements of society, and see what makes them tick – is it nature, or nurture, or a combination of both? But writing characters like these doesn’t mean I agree with their views. I’ve written characters before

Self-publishing journey continues on! -- Joy Kluver

When I posted in February, I'd just sent my MS off to my editor. She came back to me in March with only six pages of notes (when I used her for my debut it was fifteen pages so I consider this progress)! Overall she was happy and we clarified a few issues over a phone call. I started to work on the corrections but as I was working through, I noticed a few odd mistakes that I thought I'd corrected. If you remember from last time, I got Word to read out my MS so I heard the changes I needed to make. Had I forgotten to change them? I then got to a bit where I knew I'd added more detail. It wasn't there. Then it dawned on me. I hadn't sent my final draft. In a hurry to get everything done before going away, I'd send an earlier revision. For a day, it was the end of the world. Complete meltdown. Next day, a friend told me about the Compare option on Word. I tried it but there were too many changes for me to look at. I did my best to remember which passages I'd ch

To Plot or Not (Cecilia Peartree)

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The pros and cons of plotting crop up quite often in places where writers congregate, so I doubt if I can add much to the argument either way. However, I have modified my approach over the years and I don't think it will ever quite settle down so I thought I would run through some of the changes that have happened to my writing process, often without any conscious decision on my part. The previous sentence should give you a good idea of which side of the fence I favour! By the way, I see the fence not as the electrified kind designed to keep the T-rex in its place, but as rather a tumbledown one with some weak spots where you can easily push through should the mood take you. I have always written stories since I learnt to write, and I was happy to see that my grandson has now got to the point of writing little stories with big ideas behind them and completely outlandish illustrations. However the first time I set out to write as an adult, I did so much planning and research that th